A young woman agrees to star in a filmmaker's latest project, but soon realizes the movie is not what she expected in this chilling debut novel.
In the wake of her father's death, Betty Roux doesn't allow herself to mourn. Instead, she pushes away her mother, breaks up with her boyfriend, and leaves everything behind to move to New York City. She doesn't know what she wants, except to run.
When she's offered the chance to play the leading role in mysterious indie filmmaker Anthony Marino's new project, she jumps at the opportunity. For a month Betty will live in a cabin on a private island off the coast of Maine, with a five-person cast and crew. Her mother warns against it, but Betty is too drawn to the charismatic Anthony to say no.
Anthony gives her a new identity--Lola--and Betty tells herself that this is exactly what she's been looking for. The chance to reinvent herself. That is, until they begin filming and she meets Sammy, the island's caretaker, and Betty realizes just how little she knows about the movie and its director.
MELISSA LARSEN is the author of Shutter and The Lost House. She received her M.F.A. from Columbia University and her B.A. from New York University. When she isn’t traveling somewhere to research her next novel―and somehow hurting herself in the process―she lives in New York City and teaches creative writing.
Choo choo choo! This is the sound of my approaching disappointment train! I hear it when I read a book which doesn’t fit with my high expectations.
I was so invested in this story and after reading the blurb about a film crew chooses movie location which gives us cabin in the woods meets Friday 13th series and Blair witch project, I was expecting to read something terrifying, earth shattering which will force me sleep with entire lights of my house on !
But... yes this book is definitely psychological thriller-ish, slow burn, semi-claustrophobic but mostly it was bumpy road with wavering direction of the story which loses its aim at several times!
The beginning was so promising. We’re introduced Beth Roux who leaves her hometown and directly moves to NYC, camping at sofa bed in her best friend’s apartment she shares with her boyfriend. We realize she’s grieving her father who recently passed away ( actually he committed suicide) and Beth’s mother acts like neurotic and controlling who tries to find where her daughter disappeared.
Beth meets with tempting and ultra rich director Anthony Marino with help of her friends. She’s enchanted by his charisma. She’s obsessed with his artsy movie he’s made but she acts like she hasn’t watched it. And now dear Anthony needs an actress urgently to cast for his latest movie. He asks her for the audition, taking her to dinner and kisses her goodbye which means she got the part!
It seems like too good to be true. She’ll compensated 40K for her role, spending her in a secluded cabin which is located on a private island off the coast of Maine with five person cast and crew. There’s no script and the idea of working on improvised project is more challenging than working on another Terry Gilliam movie.
The cameras are located in everywhere around the house. And Beth’s only clue about movie is it will have resemblances with famous Cape Fear movie starring Gregory Peck and Robert Mitchum ( Mitchum is out of jail, blaming on Peck who put him behind the bars, planning to avenge him by harassing his family including his innocent young daughter)
Beth thinks some outer player will involve in their holiday at cabin! This outer player might be the wild car of the movie as well!
But she has no idea what Anthony’s real intention to force her cut and dye her hair and rename her as Lola! Is she just a pawn of his master plan? Is his real intention to shoot a movie? Or is he planning something more dangerous?
I waited too long for some exciting incidents happen during my read. Only last %10 of the book was faster and interesting but the rest of it was mostly about Beth’s grieving, Anthony’s mysterious manners ( he pushed him so hard to look like mysterious man but actually the reason behind gathering those crew to make movie at the cabin is so simple and immature. )
The final twist is okay! Actually entire reading is okay but not so good or heart pounding kind of whirlwind thriller! Both Beth and Anthony are irritating characters who seem lost from the beginning. I didn’t quite get the real reason why they fall too hard for each other. Ben and Mads were the most tolerable characters. I was so sorry for they were dragged into this mess!
I’m giving my three solid stars. The idea and starting point of the story was intriguing and promising but the execution could have been better! The characters were not much connectable but at least they are not punchable or dislikable characters.
Special thanks to NetGalley and Berkley Publishing For sharing this digital reviewer copy with me in exchange my honest opinions.
Following the death of her Dad, Betty Roux needs an escape. She packs her bags, severs all ties and flies to New York City, with the hopes of becoming an actress.
Once there, she phones up her old friend, Sofia, who she knows has found some level of success behind-the-scenes in the film industry.
Sofia and her live-in boyfriend, Ben, are more than happy to take Betty under their wing, even allowing her to stay at their place; walking dogs to make ends meet.
Before too long, they offer to introduce her to the mysterious filmmaker, Anthony Marino, THE Anthony Marino, a man they worked with in the past and have a friendly relationship with.
Upon meeting Betty, it seems Anthony has discovered his new muse. He quickly offers her the starring role in his next project.
She's flattered, but also a little uncertain. She didn't even audition and she has no experience, what does he see in her?
With these doubts in mind, she still figures, who is she to argue with genius? He clearly knows what he is doing, so Betty agrees to step outside her comfort zone and take on the role.
The project is the be filmed at the Marino family property on a private island off the coast of Maine. From the very start, Betty is unclear about the specifics of the whole thing.
Anthony tells her it will be loosely-based upon the classic film, Cape Fear. The main difference being that it's to be filmed more like a lightly-scripted reality television show than a traditional film.
The bare bones crew, which includes Ben, Sofia and the man who is to play Betty's on-screen boyfriend, Mads, travel to Maine with the hopes of capturing all the footage they need within a month.
Prior to filming, Anthony assigns Betty a new identity. She is now Lola; he is hoping this identity shift will allow her to let down her defenses and evolve into the character he is looking for.
Events on the island spiral quickly and Lola wonders what exactly she has gotten herself into. She should have listened to her Mother.
Y'all, I would have thrown this across the room when I was finished with it, but it's on my Kindle soooo.....
Betty was one of those characters that I quickly grew frustrated with and there was never even a glimmer of her redeeming herself.
In and of itself, that's fine. I don't need to like the characters in the books I read. In fact, I frequently enjoy books where the entire cast is unlikable. It all depends what those unlikable people are doing.
It needs to keep me engaged. It needs to be sinister, it needs to be wicked, wild, intriguing; give me something!
This felt bland; top to bottom. The narrative style did not suit my taste at all, there was no sense of place, no atmosphere. I couldn't have cared less about Anthony Marino, or his petty film project.
At the end of the day, while the synopsis sounded intriguing, the execution fell well below my expectations.
As I always say, however, there is a Reader for every book and a book for every Reader. Just because this didn't work for me, does not mean it won't work for you. If you think it sounds intriguing, give it a go!
Thank you so much to the publisher, Berkley, for providing me with a copy of this to read and review. I appreciate the opportunity to rant provide my opinion.
Betty leaves town after her father’s death, wanting to start a new life in NYC. She decides to try her hand at acting, and finds the perfect opportunity when her friends Ben and Sofia introduce her to THE Anthony Marino. Anthony directed and starred in an Indie smash hit a few years ago, and is looking for an actress for his latest project.
Betty has no acting experience, but Anthony offers her the lead role in his new mysterious film. She doesn’t know much about it, only that he was apparently loosely inspired by Cape Fear and that he wants her character’s name to be Lola.
A group of 5 people, Betty included, go to a private island off the coast of Maine to film the movie. There are cameras everywhere, and she soon realizes that she has no idea what she’s gotten herself into.
She never anticipated actual danger...
Sounds intriguing, right? In a way, it is. I was entertained throughout the read, and never bored. However, severe suspension of disbelief was required.
First of all, Betty knows basically nothing about this film, and Anthony avoids giving her more information multiple times, and yet she willfully goes on the journey to Maine. Granted, her friends are going too, and Anthony is paying her $40,000, but once I knew what the point of his film was, I was like, “What? Why is she still participating?”
The point of the film, once revealed, is the biggest problem I had with it. Obviously, I can’t go into details...but to me, it’s one of those things where I said to myself, “All of THIS because of THAT?” Nothing about the plot and the goings on are very realistic. Despite this, I still felt that the story was interesting. I just couldn’t wrap my head around why any of the plot was happening in the first place.
The unrealistic scenarios continue through the denouement, and I just couldn’t get fully on board. While Betty is an interesting, multi-dimensional character, she is also a bit of a dunce.
This is a fast read, and shows promise for a debut novel. The writing itself has a great flow, with some wonderful atmosphere (especially as a squall rolls in). I liked it enough, but there was potential for a much more sinister storyline. I’ll be interested to read the author’s next book. I think others may enjoy it more, so please do check it out if it sounds interesting to you.
One last thought: How gorgeous is that atmospheric cover?!
Thank you to Berkley and NetGalley for an ARC in exchange for an honest review. This will be published on: 6/15/21.
I don't really have a lot to say about this one, other than the majority of it was SO incredibly slow that I had trouble pressing on. The ending, while far fetched, was really exciting and I wish the rest of the book had equaled out to this level of pacing and engagement. Overall, a miss for me, but I think the author has potential.
*Many thanks to the publisher for providing me review copy.
First and foremost, a large thank you to NetGalley, Melissa Larsen, and Berkley Publishing Group for providing me with a copy of this publication, which allows me to provide you with an unbiased review.
Melissa Larsen brings much to this debut novel, taking the reader on a curious, as well as eerie, trip through the mind of a film director with a mission. A young woman has her sights set on making it big and heads to New York, where she knows but one person. After being introduced to a mysterious film director, Betty agrees to be cast in the leading role of an upcoming film, not entirely clear what it will entail. Later learning that this is an ‘act natural’ film, Betty soon discovers there’s more to it than she thought at first, pitting actors against one another, especially those unaware that the camera is even rolling. Well-paced and chilling at times, Larsen shows in Shutter that she has what it takes to stand above many in the genre.
It’s been a rough few months for Betty, which is why she has decided to flee her small California town for the bright lights of NYC. There, with only one childhood friend to call upon, Betty tries to make it big. She’s soon introduced to Anthony Marino, a film director with a new idea. Marino feels that Betty could be the perfect fit for his new project, but he is not yet ready to share any of the details.
Travelling up to a small Maine cabin, Marino, Betty, and a few others prepare to shoot the film on-location. It happens to be the Marino family cabin, where Anthony spent much time as a child. Betty is told that the film with be without script or actual direction, more an ‘act natural’ idea, where cameras are always rolling, hidden in rooms, on trees, and many other places. It is supposed to be a chance for everyone to just be and let the story evolve.
Betty is tasked with becoming Lola, a young woman with no clear backstory. She must also develop immediate chemistry with her leading man, Mads. While this may be the goal, Betty finds herself constantly drawn to Anthony, which will make building proper chemistry a little harder. Still, Betty is trying to come to terms with the literal and figurative transformation into Lola, its importance as yet baffling.
When Anthony announces that there will be a stalker element to the film, he introduces a new face, Sammy. This is a childhood friend of Anthony’s and an unknowing addition to the film. While Sammy appears inquisitive on the surface, he begins to gravitate towards Betty in odd ways. It is only then that the truth about the Anthony-Sammy connection is revealed, as well as the essence of Betty’s transformation into Lola. What’s not yet clear is what will happen when all these elements are put together in a bucolic setting, with the cameras rolling non-stop.
Melissa Larsen does a great job in her storytelling, pulling the reader into the centre of this piece with unknown elements coming together at just the right pace. With little revealed at the outset, the mystery is as present for Betty as it is for the reader. Slowly, things become clearer, which does not always make for a smooth ride for anyone involved. It permits a handful of key twists throughout the piece to shape a narrative that gains momentum with each page turn.
Betty is a great protagonist, in that she offers much to the story on both a personal and ‘professional’ level. Her desire to flee home is apparent throughout, as the reasons come to light throughout the novel. Her thirst for escape is only heightened when she feels that she can transform into a new woman by taking up the film project. However, while Betty would love to forget herself, it is not the change into Lola that fuels what she had in mind. All that being said, there is a great deal going on, none of which Betty could have predicted from the outset.
Larsen offers a number of intriguing secondary characters throughout the piece, all of whom bring something to the table to flavour the story effectively. While some complement Betty, others serve as obvious roadblocks to impede her natural growth. The underlying Anthony-Sammy storyline comes to a head and adds a needed depth to the plot, though things are less than smooth from thereon in. Larsen is able to portray the likes of Sammy, Anthony, and even Mads as different yet all tied together in one form or another. This keeps the reader entertained and curious about how the chemistry will develop, much like actors working on a script with the cameras rolling.
For a debut, I was quite impressed with Melissa Larsen’s efforts. While there were some small bumps, the overall experience was one that I enjoyed and would do so again without a second thought. The narrative flows well and gains momentum at just the right pace, with characters offering something to the experience without stealing the spotlight. Save for the opening chapter, each part of the book is short and keeps the reader wanting to know more, which is matched with an eerie plot that injects twists and confusing at key points. Larsen’s great use of dialogue keeps things feeling natural, which is an interesting parallel with the actual premise of the book, where the characters are to ‘be themselves’ while the cameras roll onwards. With a chilling end, Larsen leaves the reader wondering and thinking well after turning the final page, which is the essence of a strong thriller.
Kudos, Madam Larsen, for a great start to your writing career. I cannot wait to see what else you have in store when next you publish!
Be sure to check for my review, first posted on Mystery and Suspense, as well as a number of other insightful comments by other reviewers. https://www.mysteryandsuspense.com/sh...
I was captivated by this dark, slow-burning, psychological tale filled with creeping dread.
Betty Roux, at first glance, seems to be your typical small-town girl who leaves to make it big as an actress in New York. But Anthony sees something different in her. Anthony Marino is a newly famous, acclaimed film director renowned for his realism and his gritty films full of improvisation. Like something out of a Hollywood dream, Anthony chooses Betty for the leading role in his next movie. Anthony won’t tell Betty much about the move, except that there is no actual script and she will have to live it. So they’re headed to a secluded cabin to shoot. Oh, and by the way, the movie is called FEAR. What could possibly go wrong?
Things to know going into this book: it’s not your typical throwaway mystery or thriller with numerous murders and whodunnits. It’s not really something you can tear through without thinking, or read like a normally plotted mystery. Instead, it’s a pretty heavy psychological portrait of several very intriguing characters. And the writing is lovely and far more literary than most in this genre. The writing will pull you in. I was completely drawn into Betty’s complicated world. Also, be aware that though this book is completely compelling on every page, it’s more of a slow burn with an intense psychological build.
Shutter is a love poem to dark, classic Hollywood films. I felt the influence of Vertigo, Of Mice and Men, Mulholland Drive and of course, Cape Fear. I was totally immersed in the story throughout, just as Anthony’s actors were immersed in the film to its harrowing conclusion.
My only negative note is that the ending neglected to explain one crucial issue. It’s clear this was done by design, and it’s effective, but I still wanted a particular resolution. Nevertheless, this doesn’t take much away from the fantastic reading experience.
Melissa Larsen is a beautiful writer and a standout in the psychological drama genre. This book was totally unique - it’s been a long time since a book took such hold of me and made me leave the world behind. I can’t wait to see what she comes up with next.
4.75 stars. Thanks to Berkeley, NetGalley and the author for the ARC of this compelling and immersive story.
The premise of SHUTTER held so much potential, but overall this book was a miss for me. The story follows Betty Roux, a young woman who moves across the country to New York, trying to escape the grief of losing her father. Betty's dream is to be an actress, and a childhood friend hooks her up with a hot director who's filming an homage (of sorts) to Cape Fear on a private island off the coast of Maine.
Poor Betty was so naïve! She doesn't hesitate to accept the role as Lola, even though there are so many red flags. Remote location. Only five cast/crew members. Unscripted. Hidden cameras. Once there, the director wants to completely change Betty's look. And then there's something weird going on with the island's caretaker.
Most of the book was a very slow build up to the big reveal at the end, and the reasoning behind the twist seemed so petty. Meh. I did enjoy the atmosphere created, and though the pacing was slow I stayed curious to see how things would play out. It just wasn't the the thriller I was expecting from the blurb. The author's writing style did keep me hooked, and I'm curious to see where she goes in her next book.
Disclosure: I received a copy of this book from the publisher through NetGalley in exchange for an honest review.
I received a copy of this title via NetGalley. It does not impact my review.
Oh boy, this books was absolutely not for me. I’ve tried really hard to think of positive things to say about it and the only thing I can think of is that I actually felt the need to finish it, instead of DNF-ing it. I wish I would have DNF-ed it, though.
The characters were all awful. Every last one of them. There was no one to root for. No one to connect with. I could not for the life of me understand why everyone was so drawn to narcissistic Anthony. Or why Betty just rolled over every time he said “trust me,” even though he had done absolutely nothing to prove himself worthy of trust. And Betty. The story is told through her first person POV and it was a trial to be stuck in her head. I think we’re supposed to give her a pass because she’s still grieving over the loss of a parent, but that does not make up for the never ending parade of stupid decisions she made.
While the plot of making a mysterious movie on a secluded island sounded like it would be creepy and entertaining, I ended up just rolling my eyes at the whole thing. Anthony’s motivation was childish and psychopathic, as was Sammy’s character. The whole thing was just ridiculous and then the ending was super anti-climactic.
Overall, I did not enjoy Shutter at all. I kept waiting for some great twist to be revealed that would make everything worth it, but it never came. The awful characters and ridiculous plot made this a chore to get through. While this book is obviously not for me, I have seen some much better reviews on it, so it might be worth the read for others.
It is very hard to describe a book like Shutter by Melissa Larsen, which seemed to me like a mix of horror and psychological thriller. We have the secluded location on a private island, and it actually gave me some major gothic vibes. We also have a cast of mostly unlikeable characters including Betty herself. I am not sure if the reader was supposed to like her, but there was something about her that made me not love her. This was fine for me though, and it didn't make me want to stop reading in the least. Larsen's writing is very unique, and it gave off an eerie vibe the entire time I was reading this. It is a slow burn overall, but we get a burst of action at the end, and I felt a lot of dread and trepidation throughout the whole story. I just knew we were building up to something, and boy were we. The writing style was very literary for being horror/thriller so that is something to consider before you pick it up.
I also liked that you actually had to think about the plot of Shutter, and it's not something you can really fly through although I feel like I still did. This is a pretty dark read and brings up some interesting and hard topics. I ended up listening to the audiobook and I think if you aren't a fan of slower burns that would be the way to go with this one. The narrator is Megan Tusing who I don't think I have ever listened to before, but she really nailed Betty's voice and character. I listened to the audio all in one day and actually had a hard time putting it down. I read a couple of reviews that say Shutter is like an ode to old Hollywood films, and I mean I could see this book making a great movie. I haven't watched any of the dark classic films, but from what I know of them, this is spot on to what they are like. I really liked this debut and was very satisfied with the ending, so I will definitely be watching for Larsen's next novel!
I received a complimentary copy of this book. Opinions expressed in this review are completely my own.
The synopsis for Shutter grabbed my attention immediately, and I was so excited to check out this book. The concept was really intriguing to me, but this book starts out slow and confusing. It took me a while to get invested - somewhere around 35%. Normally I would have DNFd by that point, but again, I wanted to see what happened with the synopsis.
It had my attention for a bit in the middle, but then lost me again, and the story continued to lose steam as the book went on. The reveals felt silly, and I thought it would be more sinister. All of the characters were annoying, and the main character's decisions didn't make any sense. It felt really far-fetched after a while. There was also a chapter focused on a suicide in the past, and it was gratuitous since it didn't really make a difference for the overall story whether it was there or not. So, this book didn't really work for me.
CW - suicide of a parent (with some graphic details), nonconsensual kiss
The story of Betty Roux, early twenties, who's moved across country to NYC after the suicide of her father. She's slightly estranged from her demanding mother and wants to start out somewhere new. She moves in with two friends who are more or less settled and gets a job walking dogs.
And then, one of her friends, Sofia, introduces her to Anthony, an independent film-maker who's recently made a movie getting high praise, reviews, etc. He meets Betty and wants her to star in his next film, to be set on an island off the coast of Maine on a property his family owns. Betty agrees and then...
The story sort of lies fallow for a 100 pages or more. Endless description, dialogue which is kind of blah-blah, or fatuous, in other words. Betty meets the only other 'star' in the movie, a young man who's supposedly going to play the part of Betty's boyfriend. This part of the book, the middle...
I almost gave it a DNF, but I did want to see what was what, why this book is a 'thriller,' but it lagged too much. Ever keep reading a book out of a sense of duty, as in: I've got this far, might as well keep going?
Well, there is another character added; suspense heightens; I wondered just what Anthony was up to, if anything. Lots of scenes of the majors sitting and talking and drinking. There's a storm, of course there is, and a dangerous 'channel' between the island and the mainland. But as a whole, the book was a let down. The only character I cared about was Betty - whose name is changed to Lola by Anthony.
Three stars, fair read. (But prob. not the best choice for someone who's read at least 40 or 50 similar, better books with the same sort of storyline.)
Yes, I know, I know im in the minority here, lol! But I loved this story!! It kept me in its grip the whole time. I got frustrated at times with Betty and many times with Anthony Marino. And I was scared of Sammy! Yet, I enjoyed them all! The mystery of the film was annoying me because I just wanted to know the point of it already. Once I knew I was like, well, d*mm! A lot of people weren't fans, but I had a great time with it!
Shutter sounded really good: mysterious movie on a deserted island?! However, the story was boring: nothing the characters did made sense and parts seemed to go on longer than necessary. I felt like I was reading all the Thriller/Horror movie cliches together in one book.
Good concept, poor execution.
This was a debut, so I will seek out the author's next book and hope it's better
*****SPOILERS*****
About the book: In the wake of her father's death, Betty Roux doesn't allow herself to mourn. Instead, she pushes away her mother, breaks up with her boyfriend, and leaves everything behind to move to New York City. She doesn't know what she wants, except to run.When she's offered the chance to play the leading role in mysterious indie filmmaker Anthony Marino's new project, she jumps at the opportunity. For a month Betty will live in a cabin on a private island off the coast of Maine, with a five-person cast and crew. Her mother warns against it, but Betty is too drawn to the charismatic Anthony to say no.Anthony gives her a new identity--Lola--and Betty tells herself that this is exactly what she's been looking for. The chance to reinvent herself. That is, until they begin filming and she meets Sammy, the island's caretaker, and Betty realizes just how little she knows about the movie and its director. Release Date: 06/15/2021 Genre: Psychological Fiction Pages: 349 Rating: ⭐⭐⭐
What I Liked: • Creepy plot. • Creepy atmosphere
What I Didn’t Like: • That ending...
Overall Thoughts: At first I was confused with the low ratings of this book and after finishing it, it all makes sense now. What a creepy and interesting plot for a novel. A desperate woman trying to get a good part in a movie that she does ANYTHING for it. Sadly around the 200 page mark it switches gears and find out nothing creepy is going to happen. All sense of atmosphere drops from it and you're left with some weird love triangle and a lame drama thriller. Perhaps it's my fault for assuming this was a book about something supernatural in the woods or maybe the rep for this book made it out to be a horror novel. I thought we were going to go a different route. I thought Ben and Sofia we're leading Betty in to this movie because they were going to kill her. I thought maybe Ben and Sophia weren't even in a relationship together and they were also pretending the whole entire time she knew them just so they could lead girls in for Anthony and his "movies" upstate. Either way 3 stars for me. Meh.
Final Thoughts: Skip this and watch the movie Starry Eyes. [image error]
7Shutter is a novel about a young woman dealing with the grief of a father that passed away. Betty moves to New York where she reunites with a childhood friend, and through Sophia and her boyfriend has the opportunity to star in an unconventional film inspired by Cape Fear. What Larsen does well: build a a sense of dread through the story, increasing suspense without graphic gord and horror. She sets setting and scene very well infusing the story with a creepiness. What I find somewhat weak throughout the tale is characterization as there is a lot of internal dialogue and point of view from Betty's perspective yet she and the others still seem somewhat shallow 2 dimensional people.. Overall an entertaining psychological thriller that will drive some readers batty due to this flaw and a few small ones but if you are a casual reader that is looking for escapism I recommend Shutter. Thank you to Netgalley & the publisher for a copy
Thank you so much to Berkley Press, Melissa Larsen, and Netgalley for my ARC of Shutter that comes out June 15! This book is about a woman struggling to find her place. When she meets a filmmaker and agrees to be part of his latest project, she doesn’t have much to lose. When he tells her she has to live in a cabin on a private island for a month, she jumps at the chance. She is running from her past and thinks it is a great opportunity. But when the director turns her into a whole new person, she isn’t sure where this film is going. Then, as he slowly reveals the point of his film, she isn’t sure what is acting and what is real danger.
Thoughts: I loved the way this story built throughout the chapters. It’s like each layer piled on top of the next to create a creepy and mysterious story. This book is a psychological thriller, and you find yourself inside Betty’s mind for most of the story. It is a very slow build up and I think that was so the reader could feel like they were trapped there on the island.
I did wish that there was more to the story. I kept waiting for a big twist to come, and when it did, it wasn’t all that shocking. I enjoyed the characters, but only two had any depth or backstory. The rest were one dimensional and really there just to prop up the two main characters. I did enjoy the parallels to classic Hollywood films, and the writing was very easy to read and get immersed in. While the plot was fantastic, the story line needed more. 3-stars
This book was one long rambling narrative from the main character, Betty, who is incredibly naive, gullible and childish. I did not enjoy Shutter, and kept waiting for something to make everything worth it but it never came.
Audio: 9 hour 48 minutes Published June 15, 2021
Thank you Penguin Random House Audio for the complimentary copy of The Shutter for an honest review.
With a strong sense of foreboding and a steady, slow burn, this was one I struggled to put down and couldn’t wait to pick back up!
After her father’s death by suicide, Betty moves to NYC to escape her old life and redefine herself. She crashes on her friend Sofia’s couch until she can meet with Sofia and Ben’s director friend Anthony to discuss his upcoming project. When Anthony and Betty meet, the chemistry is instant and Anthony knows immediately that she will be perfect for his new film. But when they arrive at the location and there is no script and no plan, yet everyone else seems to know more about the plot and film than she does, Betty starts to wonder if she hasn’t made a huge - and dangerous - mistake.
This book was definitely a slow burn and I wouldn’t recommend for anyone who needs an action driven plot. The suspense builds on every page but really doesn’t come to a culmination until the book is nearly finished. This also isn’t a novel that’s tied up with a pretty bow at the end. I loved the loose ends and questions that Larsen left the reader with though I know that will be a point of contention for some readers!
I didn’t love Betty’s character or necessarily feel or understand the chemistry between her and Anthony but I thought it all worked well for the storyline. I often wondered at the decisions Betty made and her self consciousness and mistrust felt authentic, particularly given her history.
What I loved most about the story is how unique it was. I’ve really never read anything like it. I loved that they were creating a movie (it felt super Blair Witch Project to me!) and though it was supposed to be a “reality” horror film, we had no other details. This technique really kept me flipping pages and eager to learn to more.
Thank you to Berkley and NetGalley for a copy of this novel.
2.5 stars. This has a great premise but ultimately there's no there there. It's too slow of a burn to satisfy most thriller readers and the ending doesn't give enough oomph for the people who powered through all of it waiting for a big finish.
Our protagonist, Betty, has left her home in NorCal suddenly after her father's death. She's crashing on an old friend's couch, who just happens to know this rising star filmmaker. There are lots of weird things about the way this book comes together, and one of them is how right off Betty's friends, Sofia and Ben, are absolutely sure that their director friend will not just love Betty but cast her in his new project. But that is, of course, what happens. And soon the whole crew is heading out to the director's private island in Maine.
The way the director makes movies makes you think that this is going to move in a very interesting direction. He places cameras all over the house and gives Betty almost no direction or information about what is going to happen. Just that it's going to be about fear and that she'll get $40k. So much you could have done with this concept, but the way it plays out feels like a waste. In the end it's not really about fear at all, and even once you get the full story it's unclear why any of it would be worth filming or how anyone could build a story from it.
The prose here is detached and often rambling. Betty's backstory never really comes alive, and she's one of those characters who never feels much like a person. Everything is reaction.
Content warnings for violence, suicide (described and discussed in detail), and of course cameras watching everything you do including apparently the bathroom (yikes?).
Well well well... what have we here.... SHUTTER's premise is quite intriguing and once you get into the first few chapters, you know something eerie is going to happen but poor little Betty and her starry eyes are too enamored with Anthony and her acting debut to care. Bring on the oopsie and the doopsie!
I really wanted to like this more but it was sooooo slow for my particular pace. I do love the fact that this film project is basically, "act natural and we'll edit as we need it".... alrighty then. Check one, two, three on already things that would make me go hmmm.... but still color me intrigued! I will say that the last few chapters really came with a punch, albeit a bit shark jumpy... but I didn't mind too much - I just kinda wish it was like this throughout the book. I considered putting this down a few times but I was just curious enough to see where it was going to go.
As a debut, I do believe Larsen shines - there's some bumps in the journey but it is clear she is talented and I look forward to whatever she has coming for us readers next. Lesson learned: don't go somewhere isolated for a month with a group of people you don't know that well. 😏
Talk about a missed opportunity! This plot could have been so mysterious and suspenseful, and instead it was a slow burn that amounted to nearly nothing in the end…
I think that this was a case of the description hinting at something that just wasn’t there.
This is a very slow moving story that eventually has a touch – a very small touch – of suspense/thriller thrown in.
Instead, what we get is a small look into a few nasty, pretentious personalities. Despite my extreme character dislike, I still wanted to see what would happen on the island. There are hints that something dreadful might occur. Unfortunately, what does happen is anticlimactic, sad, and a little…teen-angst in adults.
While the plot does move slowly, I was invested enough in order to finish it. I just wasn’t thrilled when I did.
I think this will work more for people interested in the psychology of the characters and a bit less interested in the plot.
Betty, a pretty, somewhat lost young woman, moves to New York City after her father’s suicide. She wants to become an actress, and her dream is realized when Anthony, a successful filmmaker, casts her as Lola in a remake of “Cape Fear.” It’s a challenging role, he warns her, and will be a difficult shoot, but he thinks she’s perfect for the job — she is “impossible to look away from.”
When Anthony takes Betty and a skeleton crew out to his family’s private island in Maine, it becomes clear that the film and its director are not what Betty believed them to be. The feature is to be shot like a reality TV show. There are hidden cameras all over the island, and no scripts or narrative to speak of. Soon, the boundaries between Betty’s life on and off camera fall away. She must become Lola, subject to everything this fictional character endures, a form of extreme Method acting with dire consequences.
While Larsen’s skill at setting up a suspenseful story is deft, the novel’s true power lies in her exploration of Betty’s mind, showing how a talented, intelligent woman slowly — through self-doubt, insecurity and inexperience — exposes herself to danger. There is something of the naïve yet steely narrator of Daphne du Maurier’s “Rebecca” in Betty: She is both the victim and architect of her own tragedy.
In the wake of her father's death, Betty Roux doesn't allow herself to grieve. Instead, she runs away from everyone and moves to New York City. She doesn't know why, she just runs.
When she's offered the chance to play the leading role in the famous filmmaker Anthony Marino's new project, she excepts. For a month Betty will live in a cabin on a private island off the coast of Maine, with a five-person cast and crew. Her mother tells her it’s a bad idea but she doesn’t listen.
Anthony has her embody her role as Lola. Betty is happy to reinvent herself except for when she meets Sammy, the island's caretaker, and Betty realizes just how little she knows about the movie and its director.
Ahhh...they all can’t be five stars. This story was highly (and I mean highly) unbelievable. The main character is extremely naive. A majority of the action happens within the last 20 pages and it is extremely slow moving. That being said, for a debut, I thought it still kept my attention. How, may you ask since I just talked all that shit? Curiosity kills the cat and I HAD to see what the hell was going to happen. I think it takes special talent to keep a reader strung along even when they aren’t truly vested. I look forward to what else Melissa Larsen has but all in all this was a dud for me guys. 🤷🏼♀️
Thank you Netgalley and Berkeley Publishing for my advance copy!
Running from ghosts of the past and a failed relationship, Betty decides to change her life. She goes to New York with plans to become an actress. When a friend introduces her to a film maker, Betty believes everything she dreams of might just fall into place. Anthony Merino is a talented director, but things get steadily more bizarre and distressing as they film a hidden camera style movie on an island off the coast of Maine.
This story is a slow build. As it started, I just got the artistic vibe from the characters....but as things developed those vibes got more and more bizarre and distressing. The main thought in my head as the film project progressed wasn't about the plot, but more about what people would be willing to endure or participate in for $40,000 and a chance at an acting career. Would you allow a person you hardly know to name you Lola, change your appearance, and install cameras in every room of the house you are staying in....for $40,000 and a shot at More. Would you venture into the middle of nowhere, knowing very little about the people you are with, or the project you are working on?? There are some who are willing to endure a hell of a lot for .... More. Or a Whole New Life. A New Beginning. All those phrases we use.....all those things we want.
Worth it??
You be the judge -- read this book!
I liked this story. The plot builds slowly but the characters kept my attention riveted on the story. Although I have read several books with a plot about a film maker and a mysterious project gone wrong, this one wasn't as predictable. I was never sure what was going to happen next. It made me....uncomfortable. That was my main emotion....uncomfortable. As Anthony Merino built on his project -- creating Lola -- in my head I was screaming at Betty "Do you know what you are getting yourself into??'' Even as the story descended into a very creepy vibe, I found myself having to keep reading (and listening as I bought the audio book too). I had to know the final outcome.
I did not expect the ending.
A suspense story that can make me uncomfortable and creeped out....and that surprises me....is definitely a success!
I read a review copy of this book, and also purchased the audio book. The audio is just short of 10 hours long and is narrated by Megan Tusing. I have found that I enjoy suspense stories more in audio format. Megan Tusing did a great job narrating. She has a pleasant voice, reads at steady pace and gives a skilled acting performance. Very enjoyable listening experience.
This book is Melissa Larsen's debut as an author. I'm interested to see what she comes up with next! The cover art for the book is awesome! Perfect for the story!
**I voluntarily read a review copy of this book from Berkley Publishing. All opinions expressed are entirely my own.**
Thank you @prhaudio for the complimentary audiobook!
I'm glad I had the opportunity to listen to this on audio instead of reading physically or digitally. I went in expecting a spooky thriller with possible slasher movie plotlines but instead it was a drastically slow building story. What kept me going was wanting to know when the climax would occur, what the motive was and more importantly how Anthony would produce genuine fear for his fear based movie.
I didn't feel the plot hit any of the highs I was hoping for. The reason for the movie was anti-climatic. There wasn't any truly fear inducing scenes or edge of your seat moments. I also had a really hard time liking any of the characters. The secrecy Betty endured when she arrives "on set" was frustratingly annoying and her responses to everything was overly dramatic. For someone who went through what she did, I expected either a woman who was broken or a woman with strength. Instead she presented more like a mentally abused and skittish individual unable to make decisions.
The ending didn't make much sense to me. I don't know if I missed a plot point or if there may have been a deeper meaning. It just seemed unrealistic. I did enjoy the narration by Megan Tusing though. Her cadence and voice for each character easily fit what I could envision. This is my first novel by Larsen and I did find some of the deeper psychological points intriguing. I may have went in expecting too much but overall this wasn't for me.