Changing Tides is a novel about self-discovery, growth, maturation, and forgiveness. Its primary characters each experience a transformation, a realization about themselves they desperately sought and hungered for even as they deluded themselves into thinking they already knew all they needed to know about themselves.
Dr. Ben Ransome is a marine biologist entirely absorbed in his work. Hudson Jones is a literature student hoping to make a name for himself. Caddie Ransome is the now teenaged daughter of Ben and hasn’t seen her father in nine years and deeply resents how he has abandoned her.
Caddie carries more baggage than most teenage girls as she struggles to find her own identity and to stake a place for herself in the world. She has rebelled against her mother in every way she could until, at last, her mother can deal with her no more and ships her off to spend summer with her father. She arrives at his doorstep angry, hostile, and vicious. He had abandoned her and now her mother has rejected her. She “hates” them both and is resolved to make them pay.
Her father, Ben, had realized many years ago that he knew nothing about being a father and that he was too frightened to learn. He and his wife had divorced and he left for Monterey, California to pursue his career and to escape who he was. He engaged himself entirely and deeply into his career because he could not even form the questions about himself he most needed to answer: who was he? He was, in fact, a stranger to himself.
Hudson Jones comes to Monterey pursuing information about a manuscript he has discovered that may shed light on its author, John Steinbeck. In making the journey, he, too, is running away from himself, afraid to deal with his past, his life as it was, and the future he faced. He brings with his guilt and shame even though, as we find out, he deserves neither.
Together, the three wound each other, occasionally deeply, until a very near tragedy brings them together in recognition of who they really are. They become transformed and discover the lives they had never realized they kept themselves from having. Caddie is still a teenaged girl with all the angst of one; Hudson realizes that he cannot hold himself responsible for the actions of others; Ben discovered he had repressed the most important part of himself for too long. He is free to feel both his emotional self and his sexual self, which he had long ignored.
I had little expectation of this book. I thought it was just a gay romance and that I would soon tire of it. Instead, I dug in. immersed myself in it, and hated every time I had to put it down. Rarely does an author portray an angry, confused teenaged girl so insightfully as Ford does in creating the character, Caddie. But he develops each of his characters brilliantly and with a sense of genuine authenticity. Every character is entirely believable.
In fact, the great strength of this novel is the author’s meticulous development of each character, even the ones like Brian who would have only a small role in the overall scope of the novel. While some authors burden the reader with too many details about times, places, events, or characters, Ford leads readers toward a full understanding of the characters. It is detailed, but never is it tiring. That full understanding of the characters is essential to realizing what the novel is really about.
I have rarely, if ever, read a novel which did such a fine job of showing the slow but steady growth and change in each of its main characters. In the case of Caddie, the exposition of her growth is particularly clear and gradual as the novel develops.
Ford is also truly insightful into what makes us all human, all slightly flawed, all hoping to become something better than ourselves.
In the novel, each character is allowed to see the storyline through their own eyes, giving the reader essentially three narrators, yet each narrator is unable to see or appreciate the growth occurring within themselves. Only when the growth is complete does each come to see how much they’ve changed and how much they had hungered for the change even though they hadn’t realized it.
Previously, I read Michael Ford’s \Suicide Notes\ which I believed to be powerful, insightful, and memorable. That book merely demonstrated further the growth as an author Ford made from the time he wrote this one until writing that one. It is entirely unfair to pigeonhole him as a writer of gay romance. His books do include gay romance, but they are about far more than love stories.