Gena

“They were sorry, they were saying with their bodies, they were accepting each other back, and that feeling, that feeling of being accepted back again and again, of someone's affection for you expanding to encompass whatever new flawed thing had just manifested in you, that was the deepest, dearest thing he'd ever—”
― George Saunders, Tenth of December

“What he wouldn’t know until he was much older was that no one was ever free, that to know someone and to love them was to assume the task of remembering them, even if that person was still living. No one could escape that duty, and as you aged, you grew to crave that responsibility even as you sometimes resented it, that knowledge that your life was inextricable from another’s, that a person marked their existence in part by their association with you.”
― Hanya Yanagihara, To Paradise

“When you’re the Woman Upstairs, nobody thinks of you first. Nobody calls you before anyone else, or sends you the first postcard. Once your mother dies, nobody loves you best of all. It’s a small thing, you might think; and maybe it depends upon your temperament; maybe for some people it’s a small thing. But for me, in that cul-de-sac outside Aunt Baby’s, with my father and aunt done dissecting death and shuffling off to bed behind the crimson farmhouse door, preparing for morning mass as blameless as lambs and as lifeless as the slaughtered—I felt forsaken by hope. I felt I’d been seen, and seen clearly, and discarded, dropped back into the undiscriminated pile like a shell upon the shore.”
― Claire Messud, The Woman Upstairs

“I often look forward to a time when there won't be anything left to grow attached to. I'm tired of everything being taken away from me. Yet there's no escape, for as long as there's something for me to love in the forest, I shall love it; and if some day there is nothing, I shall stop living.”
― Marlen Haushofer, The Wall