Kara Babcock

“After a silence, Sarah reached for the gift bag I realized I was still holding. “I’ll tell her you came by as soon as she wakes up.”

“I could come right back if she wants me to,” I heard myself say.

A smile spread across her face. “You’re very sweet.”

“I just want to make it better,” I said, feeling helpless.

Sarah didn’t reply. She didn’t need to. I knew what she was thinking, because I was thinking it too. It looped in my head as I walked back home.

You can’t.”
― Sara Barnard, Beautiful Broken Things

“I'm feeling full of tiny princes, bustling to get out into the world and start plotting against one another.”
― Christopher Moore, The Serpent of Venice

“… it had almost nothing to do with computers, the modernity I was trying to understand. Computers were the bones, but imagination,ambition and possibility were the blood. These kids, they simply did not accept that the world as it is has any special gravity, any hold upon us. If something was wrong, if it was bad, then that something was to be fixed, not endured. Where my generation reached for philosophy and the virtue of suffering, they reached instead for science and technology and they actually did something about the beggar in the street, the woman in the wheelchair. They got on with it. It wasn’t that they had no sense of spirit or depth. Rather they reserved it for the truly wondrous, and for everything else they made tools.”
― Nick Harkaway, Gnomon

“Shylock repointed his twitching, accusatory digit at his daughter. “You do not say such things in my house. You—you—you—you—” “Run along, love, it appears that Papa’s been stricken with an apoplexy of the second person.”
― Christopher Moore, The Serpent of Venice